![]() ![]() I think they liked the fuzz tone better than the card.Īlong with the custom and reworked amps, it's really all about finding your voice.Īny kits true to the original?why don't you do some research? I bet there are lots that are close. I've built a few and give them away to friends, I sent a bunch out Christmas to friends along with a Christmas card. It sings and does that "11" thing very well, a talking guitar with a voice. The cross fed clipping diodes are wired to a 3 way switch, silicon, germanium and asymetrical germanium configurations. It uses a BurrBrown low noise jfet opamp, some jfets, a sliding low pass filter and the usual gain and volume pots. Besides the Colorsound 3 knob germanium, the Meyer octavia, the Fuzz Face, the Foxx Tone Machine, I still have my default favorite, a custom made job. I use GE HEP transistors and it never worked. ![]() Sure, my first fuzz tone build was a Maestro fuzz I built from a wrinkled hand drawn schematic in 1966. Colored Hammond 1592BB boxes can be had from Electro Harmonix for 7 bucks. Get all the schematics from Fuzz Central's site along with building tips. I also have Roger Meyer Octavia I built and that cool Foxx Fuzz machine with the octave switch. Still, they are not my fave germanium fuzz, that is owned by the Colorsound 3 knob, a germainium design with a germanium diode for temperature stability. If you want to avoid some of that, the original Sola Colorsound pro like Page used has an extra input buffer. You cannot use a Wah pedal in front of one, only after. They worked out very well for a couple of designs.įuzz Faces are quirky due to the large feedback 100 k resistor tied to the input. MCM Electronics: Home and Pro Audio/Video, Security and Test Equipment Transistor gain selection, thermal drift, biasing are all variables you can play around with. There are lots of miniscule details about them, no worries, most had tolerance differences but mostly sounded the same. Since then I just build them, they are pretty easy. ![]()
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